In Heterotopia, I try to capture the dualistic relationship between contemporary landscapes and manmade objects that intrusively appear in the vast nature. In Outlines of a Critique of Political Economy, Engels mentioned that ‘The great transformation we are facing in this century ‘is’ the reconciliation between human beings and nature and the reconciliation of human beings themselves’. In this uncoordinated imagery, I intend to make viewers to feel a sense of forced intervention. To express the indelible boundary between the natural and the industrial, leading to an exploration of the collision between human and nature, eventually towards an reconciliation.

In the exhibition planning of this project, I will customize 16 acrylic blocks, and print my photographic works into translucent stickers, paste them on the Acrylic Express and integrate them. Finally, 16 acrylic blocks will be fixed on the walls of the exhibition hall for visitors to visit. In this way, the structure of man-made objects are deconstructed again in the form of geometry. The single individuals of the 16 acrylic blocks and the square formed by their arrangement also challenge the boundary of the two concepts of independence and integration visually.